“I am now got into a new world . . . ” wrote Lady Mary Wortley Montagu (1689-1762) from Andrianople (now Edirne, on Turkey’s border with Bulgaria) on 1 April 1717. Lady Mary was an avid letter writer and I imagine that she would have loved the immediacy of communication via twitter and email if she lived today. Her direct […]
Twelve skulls, wrapped with pink silken thread, are suspended from the ceiling in the first room of the contemporary art exhibition, ‘Animate/Inanimate’, currently on show at the TarraWarra Museum of Art (TWMA) near Healesville. One skull has a spade in its mouth, another has partly morphed into a trumpet, and an iron is slammed into the ‘face’ of another— these […]
Writers control the pace and mood of their writing with punctuation; it’s an art. Commas, colons and semi-colons break a sentence into units of breath, offering the reader small chances to pause. But there is more to consider. Minimalist writer, Ernest Hemingway (1899-1961), used commas and semi-colons sparingly to create tension and maintain engagement with the narrative. Consider the final […]
What are those rabbits doing in the border of that medieval prayer book? Is that a snail jousting with a dog? Why is a naked man riding a many-legged ‘dragon’ in the lower margin? No, your eyes are not deceiving you. This profusion of humans, animals, fantastical plants and grotesques painted in the margins of thirteenth and early fourteenth-century Europe […]
Barbara Hepworth’s garden in St Ives, Cornwall, is small and walled, but there are foregrounds and views which are framed by the ‘holes’ that pierce most of her sculptures. This place of art echoes Hepworth’s philosophy as an artist: “to infuse the formal perfection of geometry with the vital grace of nature”. A bird’s-eye view of Barbara’s ‘back-yard’ would be […]
Isabel Archer is a mesmerising character . . . her creator, Henry James, made her so by allowing the reader access to Isabel’s conscious thoughts. A paragraph in ‘The Portrait of a Lady’ (1881) is frequently longer than a page, but how can there be white space on a page if a setting needs visual detail, or if Isabel hasn’t […]
Right now, leaves are falling in my garden and the days grow colder . . . I am reminded of a day in mid-January 2009 when a wintry sky threatened rain as I approached Villa Lante in Bagnaia, about forty miles north-west of Rome. Water is a feature of this garden which was begun by Cardinal Gambara in 1568; what […]
Some people feel uncomfortable about abstract art; many would rather dive into a pool of mud than travel an hour by car to see an exhibition featuring art that has been reduced to abstraction with the purpose of conveying ideas and emotion. However, there is nothing muddy about the illuminating abstract art in the current exhibition, ‘Vibrant Matter’, at TarraWarra […]
My parents had a Constable hanging on the wall of our family home for years . . . reproductions of Constable’s idyllic English landscapes like ‘The Hay Wain’ were popular after WWII. John Constable (1776-1837) painted ‘Study of ‘A boat passing a lock’’ (owned by the National Gallery of Victoria) between 1823 and 1826: the sluice gates of Flatford lock […]
Paris during October 2012 was grey most of the time; the train to Avignon, Provence, delivered us from rain into blue skies, sun and heat. In February 1888 Dutch painter, Vincent van Gogh (1853-1890), also travelled to the south of France in search of light and “the future of new Art”. He voluntarily entered the asylum, Saint-Paul de Mausole on […]
I would like to thank my editor, Denise Taylor, for her invaluable feedback and support throughout the writing process. I have appreciated her comments and engagement with this project. Denise, with her impeccable work and incisive editorial remarks, significantly improved the manuscript as a whole.
Associate Professor Olivera Simić, Griffith University Law School
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers