Denise M Taylor

Writing Consultant I Editor I Proofreader I Teacher

Silence is a tool that writers of fiction can use to great effect. By silencing a character in a poignant moment, emotion is heightened; interrupting action with silence can magnify drama; allowing a character to inhabit a space devoid of action allows time-out and an opportunity for reflection. For examples of silences in literary writing, seek out authors such as […]

If you’re ready to have your writing project (fiction or non-fiction) or a thesis proofread, whether it is complete or a work-in-progress, then please email me via my contact page with a brief overview of your immediate requirements and I will reply within 24 hours. Based in Melbourne as a proofreader and editor of the English written word, I am constantly aware […]

It often happens that a writer asks me for an assessment of her or his manuscript (fiction or non-fiction) and I end up mentoring the writer throughout the rewrites until the manuscript is ready for me to edit, proofread and review submission material to be sent to publishers. The support and guidance of a suitable mentor and/or editor is immeasurable, especially […]

Linking words, or a group of words within sentences, can be equated to the linking of hands to convey connectivity and cohesion. But the linking of certain words or phrases in a sentence using a ‘dash’ requires careful consideration. On many occasions I have had to explain the misuse of hyphens to act as parentheses—to enclose a word, phrase, or […]

‘Lock up your libraries if you like; but there is no gate, no lock, no bolt that you can set upon the freedom of my mind.’ Virginia Woolf’s famous essay ‘A room of one’s own’ (published 90 years ago, in 1929) is a rallying cry for women’s intellectual and social freedom – a feminist tract that calls attention to the missing voices of […]

In Geraldine Brooks’ ‘Year of Wonders’ (2001), Part 1 is called ‘Leaf-Fall, 1666’. Readers’ senses are immediately stimulated as autumnal sights, sounds and smells are richly evoked; there is an undercurrent of the foreshadowing of tragedy, decay and death. Chapter 1 is called ‘Apple-picking time’ and the reader can hear the ripened apples tumbling into bins; smell the hay, the […]

I often stand and commune with Pablo Picasso’s 1937 painting,‘Weeping Woman’. It conveys extreme saddness, much of what is experienced by humans, near and far, today. I run my eye over it, wondering whether there’s something that I may have missed since I last stood before it. I go early, alone, with an art buddy, or with a few of […]

From mums and dads, aunts and uncles, to queens and kings, princesses and princes—there is often confusion amongst writers: when to capitalise and when not to capitalise these names? I am frequently asked questions such as: ‘Why did you change the capitalisation of ‘Dad’ in the sentence to lower case?’ The simplified answer I can give to this query is […]

Dangling modifiers (often participles) continue to hang around in sentences, probably because most writers (and readers) are indifferent to them. Some work, but most don’t. This month I have encountered so many of the latter from various sources that it has piqued my interest and motivated me to do some thinking on the subject. You may ask: What are dangling […]

This is my second article about words that have been used in the wrong context by writers whose manuscripts I have assessed, edited or proofread. Was it a historic or historical event? Was it a continual or continuous noise? Is someone illusive or elusive? The confusion can occur because these words are spelt similarly or sound similar, or both, so it’s understandable […]