From mums and dads, aunts and uncles, to queens and kings, princesses and princes—there is often confusion amongst writers: when to capitalise and when not to capitalise these names? When I copyedit or proofread an unpublished manuscript, I am frequently asked questions such as: ‘Why did you change the capitalisation of ‘Dad’ in the sentence to lower case?’ The simplified […]
Dangling modifiers (often participles) continue to hang around in sentences, probably because most writers (and readers) are indifferent to them. Some work, but most don’t. This month, my editing work has encountered so many of the latter from various sources that it has piqued my interest and motivated me to do some thinking on the subject. You may ask: What […]
Private art galleries are not only imbued with the presiding spirit of the collectors, which is consolidated in the choice of art works on display, but also by the nature of the gallery’s building and its site. Whether the building is a new build or a domestic residence converted into a museum to exhibit the owner’s art collection, there is […]
One of the reasons why I admire TarraWarra Museum of Art (TWMA) is the museum’s strong connection between the modern and contemporary Australian art on display within the museum’s walls and the broader landscape beyond. The current summer exhibitions, ‘Rosemary Laing’ and ‘Fred Williams – 1974’, feature painted and photo-based views, both near and far, by acclaimed Australian artists, Fred […]
This is my second article about words that have been used in the wrong context by writers whose manuscripts I have assessed, edited or proofread. Was it a historic or historical event? Was it a continual or continuous noise? Is someone illusive or elusive? The confusion can occur because these words are spelt similarly or sound similar, or both, so it’s understandable […]
In 1830, at the age of 60, the self-professed drawing maniac, Japanese artist Katsushika Hokusai (1760-1849), thought his best work was yet to come, and maybe it was, but the National Gallery of Victoria’s ‘Hokusai’ exhibition (closes 14 October) proves that his woodblock prints and paintings prior to the 1830s were indicative of a prodigious artistic talent. Displayed in the […]
If the name Vanessa Bell (1879-1961) doesn’t ring a bell, then maybe her younger sister’s name, Virginia Woolf, does. Happily, my recent stay in London coincided with an exhibition of Vanessa’s art at the Dulwich Picture Gallery, and I also visited Charleston House, her charming rural bolthole in East Sussex. Combining these visits enabled me to better understand this artist […]
Australian Indigenous artist, Yhonnie Scarce, loves the transformative qualities of glass, enabling her to generate metaphors that reflect the past, present and future concerns for her people, her Country and Aboriginal culture. TarraWarra Museum of Art is currently displaying Yhonnie’s new glass work, ‘Hollowing Earth’, which was commissioned specifically for TWMA’s autumn exhibition (along with a collection of paintings and […]
One of my new-year resolutions includes ‘getting out of Melbourne to enjoy art on offer in regional Victoria’. This promise began to materialise just before Christmas when I contacted an ‘old’ pal who lives in Geelong and shares my love of art. I’m ashamed to say that I have never stepped foot inside the Geelong Gallery (GG) so it was […]
Travel writing often ends up being fantasy. The idea of the writer-artist as an independent traveller embodies a romantic notion that the source of his or her inspiration is an unrestrained inner life. English travel writer, Bruce Chatwin (1940-89,) was a post-Vietnam-War traveller, content to travel alone and live in ‘native’ standards of comfort. His writing style is as intoxicatingly […]
I would like to thank my editor, Denise Taylor, for her invaluable feedback and support throughout the writing process. I have appreciated her comments and engagement with this project. Denise, with her impeccable work and incisive editorial remarks, significantly improved the manuscript as a whole.
Associate Professor Olivera Simić, Griffith University Law School
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers