It may seem strange to think of sentences as having personalities that respond to the mood of the subject of the writing. In fiction, they often suggest what may be happening beneath the surface, or hit us between the eyes with something unexpected, or just express the tragedy of the moment with despair or resentment. A rhythmic flow can be […]
As a writing consultant, I consider myself privileged to be asked to mentor writers who are looking for someone experienced in the field of manuscript assessments and editing, and who understands the rocky road that precedes submission to publishers. A successful writing mentor is a trusted resource for those writers who are new to the process and require encouragement to […]
There is a lot to be learned about the art of creating fictional characters from Geoffrey Chaucer’s ‘The Canterbury Tales’ (a collection of twenty-four stories written in Middle English between 1387 and 1400). I recently went through my library and came across this book, which I studied many years ago and often revisit. In the ‘General Prologue’, each pilgrim is […]
Verbs are the engine of writing. When editing or reviewing, I often ask writers of both fiction and non-fiction: ‘Do you think critically about your choice of every verb in every sentence?’ The majority of answers are something like: ‘sometimes’ or ‘I don’t give them much thought because I’m focused on the flow of the sentence’. So many writers are […]
At the moment I am far away from home, refreshing, and immersing myself in other cultures, ancient walking trails and nature reserves. I am seeking old and new art in cities, listening to different voices and sounds, gathering new ideas to assist my work with writers. In the meantime, keep writing and honing your craft. I look forward to engaging […]
If you’re ready, or nearly ready, to have your writing (fiction or non-fiction, thesis or academic paper) proofread (or lightly edited), then why not contact me with a brief overview of your project and any specific requests for assistance (such as a looming deadline or the need to stop writing!). I understand that it takes courage to hand over one’s […]
Choosing the intimate first-person point of view to write a scholarly book or a fictional narrative is challenging. Point of view (POV) is the perspective from which an author writes a story or presents information. There are three points of view (viewpoints) — the first-person POV (I, we), the second person (you, your), and the third person (he, she, they). […]
Whether you’re writing a crime narrative, Young Adult novel or an academic textbook, the ultimate aim is to create sentences that flow effortlessly so your reader is constantly engaged with the content/narrative. This memento mori still life painting by the seventeenth-century Dutch artist Pieter Claesz is a potent reminder that life is short, but our finest work/s will endure. So, […]
To hyphenate or not to hyphenate? That is the question . . . Joining words with hyphens is becoming less frequent as many are now being fused as they become more well known, such as proofreader and girlfriend. However, when two words together modify another word, they are often hyphenated. For example, in the phrase ‘large-scale installation’, the words ‘large’ […]
Recently, I taught an adult class about classical art and spent time, with my editor’s hat on, explaining the difference between the words ‘classic’ and ‘classical’, and whether to capitalise these words in a sentence. Both words imply that something is of a special class, and refer to high culture, especially the civilisations of ancient Greece and Rome (hence the […]
I would like to thank my editor, Denise Taylor, for her invaluable feedback and support throughout the writing process. I have appreciated her comments and engagement with this project. Denise, with her impeccable work and incisive editorial remarks, significantly improved the manuscript as a whole.
Associate Professor Olivera Simić, Griffith University Law School
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers