A sense of timelessness pervades the circuit walk at Stourhead garden in Wiltshire, England. This is a sublime place of beauty where nature has become art, ordered and arranged by humans. The last time I experienced this eighteenth-century landscape garden was on 28 October 2012 when rain tumbled softly, unhurried in the calm weather. Autumn colours were heightened by the […]
Written in his passionate and robust style, Lord Byron described the majesty of Rome’s Pantheon (“pride of Rome!”) in his lengthy narrative poem, ‘Childe Harold’s Pilgrimage’ (1812-1818): Simple, erect, severe, austere, sublime— Shrine of all saints and temple of all gods, From Jove to Jesus—spared and blest by time; Looking tranquility, while falls or nods Arch, empire, each thing round […]
For most of us, Christmas takes us back to our childhood: Christmas stories, dressing up as Mary or Joseph or the shepherds (with a tea-towel head covering) in the kinder nativity pageant, family gatherings indulging in traditional Christmas food, leaving out milk and cookies for Santa Claus, the Christmas tree and Christmas carols. Since the 1970s and the Vietnam War, […]
Writers control the pace and mood of their writing with punctuation; it’s an art. Commas, colons and semi-colons break a sentence into units of breath, offering the reader small chances to pause. But there is more to consider. Minimalist writer, Ernest Hemingway (1899-1961), used commas and semi-colons sparingly to create tension and maintain engagement with the narrative. Consider the final […]
Isabel Archer is a mesmerising character . . . her creator, Henry James, made her so by allowing the reader access to Isabel’s conscious thoughts. A paragraph in ‘The Portrait of a Lady’ (1881) is frequently longer than a page, but how can there be white space on a page if a setting needs visual detail, or if Isabel hasn’t […]
Choosing and arranging words according to their sound can intensify meaning and create rhythm in a sentence; the degree of musicality you employ will depend on the intended mood and tone of your writing. Geraldine Brooks’ opening paragraph in ‘Year of Wonders’ (2001) awakens the senses and, at the same time, foreshadows a tragic story that begins in the mellow […]
Some words become hollow through overuse. US President Theodore Roosevelt wrote about “weasel words”: a weasel sucks an egg so dry that the external shell becomes brittle and compromised. Roosevelt deplored poor word choice and warned of the deterioration of writing skills in 1916; nearly 100 years later we still need to heed his warning. We write to communicate our […]
The aim of the first sentence of any written work is to motivate the reader to read on; it can be decisive and declare the theme or argument of the main body of writing, or it can be a teaser. So whether you’re writing a novel, an essay, or just an email, your aim is to arrest the reader’s attention […]