The University of Melbourne and National Gallery of Victoria (NGV), Melbourne, have organised an international conference, Human Kind: Transforming Identity in British and Australian Portraits 1700-1914, which will start next Thursday, 8 September, and run for four days, finishing on Sunday 11 September with a panel discussion and debate from 6.15pm to 7.00pm. As the title suggests, the focus will […]
If you think Edgar Degas (1834-1917) just painted pretty ballerinas in soft pastels, then you’ll know otherwise once you’ve visited the National Gallery of Victoria exhibition featuring works spanning more than five decades of the French artist’s career. You’ll find out that this enigmatic man depicted modern Parisian life—warts and all—in many intriguing ways. Some pigeon-hole Degas as an Impressionist, […]
The famous literary Brontë family lived in Haworth Parsonage, Yorkshire, between 1820 and 1861. Their austere grey-stone home, surrounded by dark-green trees, prickly hedges and bleak moors, is infused with gothic imaginations. Even though it is now the Brontë Parsonage Museum, and nothing can be touched, this is a place where astonishing art was created by three sisters. I imagine […]
Are you gagging for another English grammar quiz? If so, sharpen your red pencil and put on your proofreading thinking-cap! There is more than one error relating to grammar and punctuation in each of the following ten sentences. Can you spot them? Each grammar ‘issue’ has been covered in the last few articles written for ‘The Art of Writing & […]
These days, it is cool to poo-poo the pursuit of beauty in art, but avant-garde writers and artists in late-nineteenth-century Europe, particularly in the hedonistic capital of France, celebrated the power of beauty to transform the beholder. English literary genius, Oscar Wilde, was notorious as the witty spokesman of Aestheticism and its bold declaration that art should be independent from […]
Unprecedented mass surveillance and the implications for our private lives, now and into the future, are scary—invisible monsters inhabit the built environment, listening and taking note. Gardens can be our escape, however bizarre. In my mind I make a return visit to one of Italy’s most mysterious and ingenious sixteenth-century gardens: Sacre Bosco in Bomarzo, 42 miles north of Rome. […]
French sculptor, Auguste Rodin (1840-1917), brought sculpture out of the doldrums and gave it a surface energy never seen before. For Rodin, it is the surface that expresses the results of internal and external forces. I appreciated this when I visited the Musée Rodin in Paris and saw the freshness of terracotta and plaster casts formed and moulded by Rodin’s […]
Throughout the last few months I’ve been keeping a record of some commonly confused, or simply confusing, words that I’ve come across in my job as an editor and proofreader. Do you ‘orient’ or ‘orientate’ yourself? Do you ‘inquire’ or ‘enquire’? Is an event ‘eminent’ or ‘imminent’? Some of these words are spelt so similarly, or sound so similar, that […]
Entering The University of Melbourne’s Ian Potter Museum of Art, I walked upstairs and entered a darkened room: soft light illuminated the central glass case containing a small medieval prayer book opened to reveal a biblical scene in brilliant colour, painted on parchment. I could just see the crimson velvet binding around the edge of the cover, and I imagined […]
Walking through the National Gallery of Victoria’s rooms displaying fifteenth-to-sixteenth-century European art recently, I was pleased to see the Gallery’s 2011 purchase of the painting by Correggio (Antonio Allegri, 1489–1534), ‘Madonna and Child with Infant John the Baptist’ (1514-1515), included in the ‘hang’. At the time of purchase the painting was identified as a valuable work of art with qualities that […]
I would like to thank my editor, Denise Taylor, for her invaluable feedback and support throughout the writing process. I have appreciated her comments and engagement with this project. Denise, with her impeccable work and incisive editorial remarks, significantly improved the manuscript as a whole.
Associate Professor Olivera Simić, Griffith University Law School
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers