Denise M Taylor

These days, it is cool to poo-poo the pursuit of beauty in art, but avant-garde writers and artists in late-nineteenth-century Europe, particularly in the hedonistic capital of France, celebrated the power of beauty to transform the beholder. English literary genius, Oscar Wilde, was notorious as the witty spokesman of Aestheticism and its bold declaration that art should be independent from […]

Unprecedented mass surveillance and the implications for our private lives, now and into the future, are scary—invisible monsters inhabit the built environment, listening and taking note. Gardens can be our escape, however bizarre. In my mind I make a return visit to one of Italy’s most mysterious and ingenious sixteenth-century gardens: Sacre Bosco in Bomarzo, 42 miles north of Rome. […]

Another Christmas is behind us. January, and a hot, dry Melbourne summer are upon us again. Howard Arkley’s air-brushed, brightly-coloured pictorial images of triple-fronted brick veneer Melbourne homes remind me of when I was younger, and the route I regularly walked from the bus stop to the local swimming pool. I would marvel at those cream-brick, highly-prized family havens. Today, […]

French sculptor, Auguste Rodin (1840-1917), brought sculpture out of the doldrums and gave it a surface energy never seen before. For Rodin, it is the surface that expresses the results of internal and external forces. I appreciated this when I visited the Musée Rodin in Paris and saw the freshness of terracotta and plaster casts formed and moulded by Rodin’s […]

Entering The University of Melbourne’s Ian Potter Museum of Art, I walked upstairs and entered a darkened room: soft light illuminated the central glass case containing a small medieval prayer book opened to reveal a biblical scene in brilliant colour, painted on parchment. I could just see the crimson velvet binding around the edge of the cover, and I imagined […]

Walking through the National Gallery of Victoria’s rooms displaying fifteenth-to-sixteenth-century European art recently, I was pleased to see the Gallery’s 2011 purchase of the painting by Correggio (Antonio Allegri, 1489–1534), ‘Madonna and Child with Infant John the Baptist’ (1514-1515), included in the ‘hang’. At the time of purchase the painting was identified as a valuable work of art with qualities that […]

For those who follow the teachings of Zen, one must not merely look, but see—and hear. I’m not the meditating type, but the extreme spareness of Ryōan-ji, the dry-landscape Japanese garden in Kyoto, with its solid wall and graceful overhanging branches of cherry blossom—an extraordinary place of art—encouraged me to silently contemplate the meaning of its stillness. This is not […]

In conjunction with the National Gallery of Victoria’s current exhibition, ‘Medieval Moderns: The Pre-Raphaelite Brotherhood’, which I reviewed in a recent post, The University of Melbourne’s Faculty of Arts has organised a two-day symposium opening with a keynote address tomorrow night, 2 July at 6.30 pm. I will be presenting a paper on Saturday afternoon at 2.00 pm, the details of […]

In 1848, inspired by medieval art and literature, seven young British artists formed the semi-secret Pre-Raphaelite Brotherhood (PRB). Together they explored new ways of ensuring that visual truth could be better expressed through a more realistic, less idealised art, which had been previously defined by the standards of classicism and High Renaissance art. During a time of profound change in […]

Spanning one long white wall, painted cross-form stars crowd vertical rectangles of bark after bark, giving the effect of twinkling stars moving across the night sky; on the opposite wall, shimmering cross-hatched lines painted on barks using earth ochres, mimic the ancient rippling of land in one of the driest areas of Australia, hardened by the sun, but saved by […]