Walking through the National Gallery of Victoria’s rooms displaying fifteenth-to-sixteenth-century European art recently, I was pleased to see the Gallery’s 2011 purchase of the painting by Correggio (Antonio Allegri, 1489–1534), ‘Madonna and Child with Infant John the Baptist’ (1514-1515), included in the ‘hang’. At the time of purchase the painting was identified as a valuable work of art with qualities that […]
For those who follow the teachings of Zen, one must not merely look, but see—and hear. I’m not the meditating type, but the extreme spareness of Ryōan-ji, the dry-landscape Japanese garden in Kyoto, with its solid wall and graceful overhanging branches of cherry blossom—an extraordinary place of art—encouraged me to silently contemplate the meaning of its stillness. This is not […]
In conjunction with the National Gallery of Victoria’s current exhibition, ‘Medieval Moderns: The Pre-Raphaelite Brotherhood’, which I reviewed in a recent post, The University of Melbourne’s Faculty of Arts has organised a two-day symposium opening with a keynote address tomorrow night, 2 July at 6.30 pm. I will be presenting a paper on Saturday afternoon at 2.00 pm, the details of […]
In 1848, inspired by medieval art and literature, seven young British artists formed the semi-secret Pre-Raphaelite Brotherhood (PRB). Together they explored new ways of ensuring that visual truth could be better expressed through a more realistic, less idealised art, which had been previously defined by the standards of classicism and High Renaissance art. During a time of profound change in […]
Spanning one long white wall, painted cross-form stars crowd vertical rectangles of bark after bark, giving the effect of twinkling stars moving across the night sky; on the opposite wall, shimmering cross-hatched lines painted on barks using earth ochres, mimic the ancient rippling of land in one of the driest areas of Australia, hardened by the sun, but saved by […]
We’ve all deleted or manipulated photos of ourselves if we don’t like the way we look. So do we really care if our ‘self-portraits’ are just constructions, images of ourselves that we want to convey, at a particular place and moment in time? Self-portraits that mask the identity of the artist are often slammed as being pretentious and gimmicky, disallowing […]
As ever, additional reading is high on my agenda of things to ‘do’ in the first few weeks of January. I’m not a book reviewer, but I can’t resist sharing my reading experience of Patrick McCaughey’s new book on Australian painting: ‘Strange Country: Why Australian painting matters’. I am a self-confessed painting-aholic so this book is fodder for my addiction: […]
Traditionally, the first day of January challenges us to take a critical look at ourselves and reflect upon who we are, or who we’d like to be. Our sense of identity is important to us. Have you ever looked at yourself in the mirror, like I have, and thought about drawing, or even painting a self-portrait? How would you depict […]
The cast of characters in the Christmas story is as extraordinary as it is ordinary: a spectacular archangel, a modest mother, a holy baby, a protective ‘father’, rustic shepherds, exotic wise men and adoring animals. I’ve chosen four of my favourite Renaissance and Baroque paintings of the main events; they date from around 1445 through to 1622. There is little […]
A dynasty is defined as a family spanning a number of generations—the most notable dynasties have the trappings of wealth, power and ambition. But the Boyd family, a complex network of artistic individuals often referred to as Australia’s pre-eminent dynasty of artists, does not bode well with the label of ‘dynasty’. A new exhibition at the National Gallery of Victoria […]
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Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
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Percy Rogers