In 1830, at the age of 60, the self-professed drawing maniac, Japanese artist Katsushika Hokusai (1760-1849), thought his best work was yet to come, and maybe it was, but the National Gallery of Victoria’s ‘Hokusai’ exhibition (closes 14 October) proves that his woodblock prints and paintings prior to the 1830s were indicative of a prodigious artistic talent. Displayed in the […]
If the name Vanessa Bell (1879-1961) doesn’t ring a bell, then maybe her younger sister’s name, Virginia Woolf, does. Happily, my recent stay in London coincided with an exhibition of Vanessa’s art at the Dulwich Picture Gallery, and I also visited Charleston House, her charming rural bolthole in East Sussex. Combining these visits enabled me to better understand this artist […]
Australian Indigenous artist, Yhonnie Scarce, loves the transformative qualities of glass, enabling her to generate metaphors that reflect the past, present and future concerns for her people, her Country and Aboriginal culture. TarraWarra Museum of Art is currently displaying Yhonnie’s new glass work, ‘Hollowing Earth’, which was commissioned specifically for TWMA’s autumn exhibition (along with a collection of paintings and […]
One of my new-year resolutions includes ‘getting out of Melbourne to enjoy art on offer in regional Victoria’. This promise began to materialise just before Christmas when I contacted an ‘old’ pal who lives in Geelong and shares my love of art. I’m ashamed to say that I have never stepped foot inside the Geelong Gallery (GG) so it was […]
Travel writing often ends up being fantasy. The idea of the writer-artist as an independent traveller embodies a romantic notion that the source of his or her inspiration is an unrestrained inner life. English travel writer, Bruce Chatwin (1940-89,) was a post-Vietnam-War traveller, content to travel alone and live in ‘native’ standards of comfort. His writing style is as intoxicatingly […]
The University of Melbourne and National Gallery of Victoria (NGV), Melbourne, have organised an international conference, Human Kind: Transforming Identity in British and Australian Portraits 1700-1914, which will start next Thursday, 8 September, and run for four days, finishing on Sunday 11 September with a panel discussion and debate from 6.15pm to 7.00pm. As the title suggests, the focus will […]
When I read the first few pages of a novel, or a manuscript that crosses my desk for assessment, I want my senses to be immediately engaged and on alert. There may be intrigue, which grabs my attention, but if I don’t get a visual hit that stimulates my senses, and in particular, a sense of place, then I’m often […]
If you think Edgar Degas (1834-1917) just painted pretty ballerinas in soft pastels, then you’ll know otherwise once you’ve visited the National Gallery of Victoria exhibition featuring works spanning more than five decades of the French artist’s career. You’ll find out that this enigmatic man depicted modern Parisian life—warts and all—in many intriguing ways. Some pigeon-hole Degas as an Impressionist, […]
The famous literary Brontë family lived in Haworth Parsonage, Yorkshire, between 1820 and 1861. Their austere grey-stone home, surrounded by dark-green trees, prickly hedges and bleak moors, is infused with gothic imaginations. Even though it is now the Brontë Parsonage Museum, and nothing can be touched, this is a place where astonishing art was created by three sisters. I imagine […]
Are you gagging for another English grammar quiz? If so, sharpen your red pencil and put on your proofreading thinking-cap! There is more than one error relating to grammar and punctuation in each of the following ten sentences. Can you spot them? Each grammar ‘issue’ has been covered in the last few articles written for ‘The Art of Writing & […]
Denise’s assessment was thorough, considered and she highlighted several important shortcomings in the plot and character development. ‘Red Can Origami’ became a much stronger manuscript for her input!
Madelaine Dickie
Denise was invaluable in getting my novel from a rough 3rd draft to publication ready. I especially liked her capacity to develop a collaborative working relationship so that all the work of editing, polishing, re-writing was held in the spirit of my writing journey.
Denise has well-honed writing skills, of course, but as well she has this unusual capacity to support and encourage. She really tuned in to my direction as a writer which was enormously helpful in moving my novel forward. Beyond the fine-tuning of my last draft, Denise then gave some timely coaching to help me negotiate the new realities of publishing. How great it was to have access to such a well-grounded and experienced mentor! Highly recommended.
Thupten Lekshe
Dear Denise, Many thanks for the way you have prepared and presented my memoir. I could not imagine at the start that it would turn out looking the way you have presented what now seems a very interesting life; in fact, I might live it again. Thank you and congratulations.
Percy Rogers